To put it lightly, I strongly disliked the very idea of Kahaani 2, when it was first announced.
We all had certain hopes and aspirations from Gauri Shinde’s Dear Zindagi, in terms of what we hoped it would be, or else wanted it to be.
Force 2 has everything you would expect from the standard commercial action affair – brimming with overpowering music, various chase sequences, excessive swag, ‘shirtlessness’, and
I recently saw the first Rock On again as a refresher for the sequel, and I’m proud to say it still very-much holds.
What do people mean by ‘a typical Karan Johar love story’? Most people refer to them almost dismissively, as if frowned upon, but personally I’m a sucker for a good Karan Johar fil
What does it really mean when a film is described as ‘poetry’? Does it mean the visual aesthetic takes precedence over all other aspects? Does it justify a lack of cohesive storyte
What is consent? Is it a black-and-white, specific and clear-cut notion or something far more vague and grey as many regressive pockets of our society would have us believe? Do som
If your going to make a Bollywood love story, you need to land it, plain and simple.
Mainstream Bollywood really needs a more dedicated term for the ‘curse of the second half’, maybe Akira-ism will suffice given this one is oh so inflicted.
The key lesson to be learnt from Mohanjo Daro is that regardless of how strong your cast may be, how high your budgets, how showboat-y the action or how large the scale of the sets
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