If your going to make a Bollywood love story, you need to land it, plain and simple.
Fresh of the box office success of buddy-cop comedy Dishoom, which just about managed to hold together, I’m assuming John Abraham must be feeling pretty good about himself r
Mainstream Bollywood really needs a more dedicated term for the ‘curse of the second half’, maybe Akira-ism will suffice given this one is oh so inflicted.
The key lesson to be learnt from Mohanjo Daro is that regardless of how strong your cast may be, how high your budgets, how showboat-y the action or how large the scale of the sets
The trailer of Rustom made it pretty clear that we weren’t exactly going to be in for a show of subtlety in this murder-mystery based on true events, so the hope was that a strong
More often than not, a Bollywood newcomer’s first film is unlikely to be highly acclaimed or even competent, given that they are essentially just vehicles aimed at launching perspe
A masala potboiler that’s more slick and competent than you would expect
Our look at the good, bad and ugly of Salman Khan's films since his rebirth in 2009
A look at movie trailers and how Hindi cinema's approach to them differs from the west
Exploring the vibrant line-up at this year's London Indian Film Festival
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